
My interest in photography, I
believe, has its origin in the fact that my father used to work in a
commercial photo lab in my very early days. Later as young kids, we
used to make photograms on left-over rolls of large-size photo paper
that we found in the attic, even in the absence of developer and fixer.
The final spark was provided by a friend of mine in high school. While
I have been pursuing both black & white and color photography since
my early days into this art form from the late 70’s, I have clearly
drifted towards a very strong focus on black & white photography
due to its unique possibilityies of artistic expression. This is the
zone where my conscious effort fades away and is taken over by a force
coming from within. Our world offers an infinite variety of shapes,
form, surface, contour, lighting, reflection and texture. One of the
most interesting part of my work is the way I discover these
characteristics in a variety of seemingly mondane subjects that would
elude most casual observers. It is an intuitive thing that comes from
years of wandering and observing. I typically don’t go searching for
any specific subject matter, but I know immediately when I have found
it. Those discoveries are preserved in my prints to convey and share
the fascination I have experienced when composing the image. Many times
the image maintains a sense of mystery. My strongest images originate
from unusual views of modern architecture and nature, followed by more
traditional nature and landscapes images. All images offered were taken
on traditional film, and archivally printed on classical, proven
papers, without any digital manipulation or digital processing anywhere
in the process chain. Prints are offered in strictly limited edition of
50 per image. Prints have been archivally dry-mounted onto 100% rag
mats, with a window mat of equal material, ready for framing or
archival storage, or framed. |